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.... statue of Aphrodite at Knidos, by the Greek sculptor Praxiteles (c. 350 B.C), is the earliest known monumental statue of a female nude made by the Greeks, yet its perfection in symmetry made it the copy from whence all others would follow. Painstaking care was taken in keeping precise proportions throughout the various portions of the statues body, and it is in this way that Praxiteles achieved the height of mathematic and aesthetic beauty so highly sought by the ancient Greeks. Greek temples and other structures used similar proportions and also incorporated symmetry, reflecting their value of balance.
The 10th and 11th century Christians had a distinctly different style of art and architecture stemming form their own cultural values. This period, known as the Romanesque period of art and architecture, was marked both by the need for protection from barbarian armies and a desire to create lasting monuments to the Christian religion and culture. The monastery at Vizille, France is an example of the type of edifice this culture could create; it is magnificent in scope, dominates the landscape rather than being incorporated into it, and is at once fearsome and aw-inspiring. All of this reflects the values of

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