Comparing Schwitters merzpicture to Rauschenberg
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|---|---|---|---|---|---|---|
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...... The Merz image under consideration here differs from Rauschenbergs dirt painting in that the former seems to rely less on chance. While the origin of the image may indeed be rooted in the anarchy of the materials coming together on the canvas, the Merz painting is inevitably a very constructed image, in that all the constituent elements seem to be placed on the canvas with a final composition in mind
In the dirt painting of Rauschenberg, on the other hand, the artist seems to have relinquished much of his control over the materials, allowing the dirt and mud to coalesce into a final formation outside of any compositional destination. As one critic has noted,
Rauschenberg was attempting to explore the complexity of the material world the colours and surfaces are very varied and intricate without relying on a rhetoric of self-expression. That is, these colours and materials should not have to rely on some account of the artists biography or emotional state in order to be interesting they could carry their own interest as themselves, not as signs of something else. [6]
This perhaps can be seen as one answer to the riddle we posited above
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