Cultural Religious and Political Intertwinements

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7. Senghors Hosties noires
The work of Albert S. Gerard (1986) entitled: European Language Writing in Sub-Saharan Africa relates that French-speaking Africa quite differently from other part of the French empire were not in possession of traditional lyric poetry before World War II. According to some, it was lucky to have been spared the feeble imitation of European classical models which passed for poetry in other part of Africa and the Caribbean before the mid-forties. (Gerard, 1986) Lyric poetry is stated to have emerged and quite suddenly in French Africa characterized by already speaking the language of the independence movement, and expressed in a style familiar to contemporary French poetry. (Gerard, 1986)
Gerard states that Leopold Sedar Senghor was the undisputed initiator of modern African writing. (Gerard, 1986) Gerard relates that the work of Senghor entitled: Hosties noires (1948) derived from the inspiration Senghor received from experiencing the war in Europe which made many of his generation deeply aware of the irony of Europes quest for freedom while holding on to its colonies. (Gerard, 1986) Gerard relates that the environment of the army along with the prisoner-of-war camp in which Senghor spent two years as well as the bare

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