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.... out (theory, in the form of the arts) (Cross 7). Although there have been both scientific and artistic overviews of design, in terms of the people, processes, and forms, all of these are too limited in isolation to fully understand the real product. In design epistemology, there is more often than not a focus on one aspect of design at the expense of other aspects. Design must be analyzed within a larger context, as creating culture and not simply as a product of culture (Cross 7). This has which has finally been recognized by parts of the academy although there remains the danger of academics theorizing about what is a real practicedesign epistemology must be functional, even while it aspires to critical and abstract understanding of how culture is reflected in designs. In other words, abstract research should help the designer, and not disdain any notions of quality, and not merely understand the culture in a relativistic fashion. Designs must be understood in terms of graphic designs expressive potential as well as graphic designs potential to express the culture. Elizabeth C. Throops Being Serious, Being Popular: Positioning Design Research begins by positing different typology than Cross, that of the

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