Director Tim Burton and the Auteur Theory
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...... The Batman series will prove especially useful in looking at Burtons work from the auteur theory perspective. His other works will be used in comparison, to help analyze his film imprint or brand as it is identified in auteur manifestations. This essay will examine the interplay of novelty and stability, which is intrinsic to auteur theory, and which as history is not about events as sequential order, but about history as the revaluation of these events in conjunction with era (Andrew, 727) and, taking it one step beyond Andrews thoughts along this line, genre too
Burton and Genre
Andrew writes that:
Whereas formalist critics could point to nothing other than technical ingenuity or perfection to account for the strength of a poem or film, the issue of genre lets us lodge the value of the within the culture itself or within the tradition of films from which it comes (109).
When we consider Burtons work in terms of genre (Ed Woods being an exception to Burtons greater expression of genre), we have to put Burton in the category of the fantastical, or that which is a combination of the reality of the current culture as expressed with the fantastical
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