Italian Renaissance The Artists Paintings

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Donatello established himself as one of the founders of this new Renaissance style. In 1411, he sculpted Saint Mark and while this is his first piece, it clearly demonstrates the new direction in which art was headed. Unlike medieval statues, the position of each limb in Saint mark and its relation to the body as a whole are visible beneath the fabric draping the body. In essence, the statue looks realistic. Hartt notes that Donatello has represented not only a figure whose physical being is fully articulated, but also a complex personality summoning up all his psychological resources to confront an external situation (Hartt 37). His bronze statue of David, sculpted in 1430, was the first nude of David and the first freestanding nude since ancient times. Again, this piece reveals Donatellos ability to create realistically. The statue exploits the contrast between the detached, impassive stare of the victor and the tragic expression of the severed head (Hartt 40). It is also worth noting that Davids nudity symbolized nakedness of the soul before God (40), giving the statue a moralistic content

Botticelli is another painter that must be mentioned when discussing the Italian Renaissance. He was heavily influenced by

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