Kandinsky an analisys of the painting who
| Citation | Sources | Views | Words | Pages | Essay # |
|---|---|---|---|---|---|
| Chicago | 4 | 56 | 1804 | 6 | 93894744 |
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...... On the other hand, Kandinskys own analysisor pre-analysis, as might be more accurate considering the formulation of his ideas before he began a paintingof his work can be limiting; art, after all, does not speak until it is viewed, and at that point the only meaning that can take place is that which occurs in the mind and eye of the viewer. As much as Kandinsky might have hoped for the opposite, meaning is the result of a dialogue between the artistic object and its viewer, and the artist has no real place in this dialogue. Still, his own thoughts on art are clearly rendered in Yellow-Red-Blue, and an analysis of his own opinions regarding art in general is essential to the understanding of this masterpiece of geometrical abstraction
Kandinsky believed, both philosophically in general and in regards to art specifically, that true meaningand even truth itselfcannot be understood in literal ways, but rather that the truths of the higher world...could best be understood by indirect and vague means.[4] Though vague might not be the best term to describe the vibrant and very clearly delineated images of Yellow-Red-Blue, the painting is certainly indirect. Not only is there no completely
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